If, according to Robin Evans, “architectural drawings are projections,
which means that organized arrays of imaginary straight lines pass through the
drawing to corresponding parts of the thing represented by the drawing,” the
“drawings without paper” therefore should maintain a projected relationship
with the thing represented but through the thing itself. And, in accordance
with the investigations of the studio, these new “drawings” should be
considered generative and open and not, as is many times thought of models, as
finalized materializations of the design.
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