the idea of the studio is to reiterate the existing: to rework an architectural work by le corbusier five different times - each time with a different “disruption,” limit, or, best, obstruction. these new “requirements” will be primarily representational, historical, programmatic, theoretical, and formal. for the projects’ success, one must critically approach the projects; allowing the design investigations to help determine the final outcome.

Friday, March 10, 2017

umbrella, sewing machine, operating table

For “Insertions Into Ideological Circuits,” you are to take as generative the very representations of the given canonical building. Through cutting, collage, scale increase/decrease, weaving, cross-pasting, etc., develop out of the existing plans of the given building a new set of plans. The plans, from this, should be the generator of the building’s new sectional and spatial conditions. Apply the same technique used to develop the plans to generate the elevations (albeit mediated by the findings in the sections), perspectives, etc. For these and other generative drawings, feel free to use the vast representational arsenal of the architect –not only from the given project but from his entire oeuvre; think of the possibilities of creating a project based on the surrealist technique of the “exquisite corpse.”  Additionally, keep in mind the relationship that the building has to the ground and its landscape.


This new building form, in turn, will be inserted –through the same techniques– into an equally charged historical site through the next representational assignment. Lautremont’s famous statement regarding the “fortuitous encounter of an umbrella and a sewing machine on an operating table,” in other words, will be central for our understanding.




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